Wild Palms (177/365)

Nikon Z8 • 500mm • ƒ/13 • 1/500s

Ran out of time today due to errands and honey-dos. Made it out to the backyard before sunset and tried to get some good motion-blur shots of some palm trees, but I wasn’t happy with the results. I got what I got.

Off to work on a four-day trip tomorrow. It’s always hard to leave home…

Figuring out Darktable is in the queue. Reading this site gives me some hope. All I ever hear about Darktable is that it’s deep and complex, with a learning curve like a hockey stick. All that means is you need good instruction. The Darktable.info project looks like it breaks it down into bite-sized chunks. Hopefully, when I get back into town, I can spend some time with it.

You know what I’m missing these days? Photography road trips. I used to take five-to eight-day road trips and do nothing but shoot pictures and weave a story out of them. I used to post those stories on Exposure, but I got tired of their pricing and the lack of an easy way to download my stories intact. So I canceled everything. My goal was to remake those stories on my website, but I just haven’t gotten around to it yet. It’s just so time-consuming. I’m itching for a long road trip just to explore and shoot pictures.

Well, if you couldn’t tell, I’m trying to write more under my pictures. Keeping it mostly in a photography vein. I really like it when I read other photo blogs that have a story/thoughts along with the photos.

Film Journey: I’ve been thinking a lot about photography class back in high school and our darkroom work. Made me research today what folks are doing for film developing at home these days. That was a rabbit hole! Found some good stuff, and boy, it hasn’t changed much. There are some nice kits out there, and for B&W film in particular, it’s pretty straightforward stuff. I’m blowing off the kits and may just get a super simple piecemeal setup and try a roll or two at home, what the heck. You can get everything you need for about $120 if you shop around. If you get good results, it wouldn’t take long to recoup your investment with the cost of developing. If you’re going to jump back into film, why not jump in with both feet? More on this foray later.